The protagonist of the play, KASHMIR KASHMIR is a hotel in the middle of nowhere. The multiple story lines are borne along by a shadowy narrator who seems to represent historical influences. The play plods on. Mysteries are never resolved. Anecdotes are all there. Freak or banal events happen simultaneously, inform each other and poignantly keep the wheel turning. There is no logical end to the play because there is no solution in real life.
