Theatre Speaks

Rajendra Gupta
Actor / Director
[Hindi Theatre ]
1. Which is the last best play you saw and why?
Very recently I saw Ranjit Kapoor�s production titled HUM RAHE NA HUM at NCPA. I quite liked the play for the way in which Ranjit has adapted it from its English original, TIME AND THE CONWAYS. But then Ranjit is a master at that. Although the energy was very low-keyed in the beginning, the play slowly picked up. Around two years back I also remember seeing a Ratan Thiyyam production called RITU SANVHAR which was very good.

2. Your favourite adda to see a play�
Undoubtedly Prithvi. It is a great experience to be there. The space is just perfect and I am sure there are many theatre people who secretly wish for more spaces like Prithvi. The intimacy that one can have with the audience there is difficult to find elsewhere.

3. Your favourite playwright�
Haven�t read too many plays but can speak of those whose plays I have directed and acted in. Surendra Verma, Vijay Tendulkar, Mohan Rakesh are some of them whose work I have enjoyed putting on stage. Then there is this playwright called Mahendra Bhalla whose plays I am hoping to do at some point in time.

4. A classical play that you should have read�
Again I want to direct as and when possible a Greek tragedy and one of Shakespeare�s plays.

5. Can you think of a foreign production you found remarkable? Why?
I saw MEASURE FOR MEASURE, a UK based production that had been invited to last year�s Prithvi festival. I was overwhelmed by the technology used in it and wondered if it was necessary. Theatre to me above all is an actor�s medium. The play felt like a museum piece since by Indian standards its production value is too high to be afforded.

6. A significant Indian production that you have witnessed�
A few years back I saw AUR KITNE TUKDE, a play on partition. It was performed by a Delhi based group. I found the production to be very interesting. The group was even invited to perform in Pakistan.

7. How do you regard the Mumbai Theatre scene?
To be frank I am quite disappointed by the work done by established Hindi theatre groups go who perform at places like Prithvi regularly. Hindi theatre needs to reinvent itself. The reason one does theatre is also because through it you can experiment with new ideas and forms. Commercial Hindi cinema does not give you that opportunity. Hence it saddens me to find established groups doing the same old plays which have lost meaning now. I saw two Marathi plays recently- FINAL DRAFT and MITRA and enjoyed both of them. I somehow don�t see that spirit in Hindi theatre these days. But of course I need to watch plays like GARAM KAMRA and COTTON 56, POLYESTER 84 which I am told are good.
 
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