Bhamini Oza Gandhi Interview

"Life has changed to a great extent. We do all our work with equal dedication so when Scam 1992 became such a huge hit he was surprised..."

Sapan Saran Interview

"Theatre Dost -a group of young theatre practitioners brought together by theatre director Sunil Shanbag and writer-director Sapan Saran - is not only raising funds but also coordinating a volunteer force to help theatrefolk whose income has been decimated"

Rasika Agashe Interview

"The scary thing is that everybody wants to be an actor. I am blunt with new people, I tell them it will take them years before they can even say a line properly, but the very next day, they sign up a serial."

Shreyas Talpade Interview With Parul Rana

"everyone can't take out time to watch that particular play at a particular time. It is difficult and that's the reason we have dwindling numbers. It is not that theatre has lost its magic, it is just that people can't find that time to stick to the commit"

Puneet Issar Interview

"Puneet Issar talks about his latest theatre effort, the-soon-to-be-premiered DHAPPA, which is waiting for a suitable release window during these pandemic affected times."

Dipti Bramhandkar Interview

"In a conversation with the playwright, from Mumbai, Dipti Bramhandkar, who talks about her inspiration, concept, and experience in creating this 10-minute virtual play."

Atul Kumar Interview With Parul Rana

"I am a big supporter of change. Old and traditional must exist and we must learn from it and it should exist by itself because it is very rich in its value and forms and traditions.."

Ravi Mishra Interview

"I also realised that not many people are going to theatre so we should take theatre to people. And that's when we started the concept of pocket theatre."

Alpana Buch Interview

"Films gives you fame, serials give you recognition for the character you play but only in theatre you get recognised by your name."

Lalit Parimoo Interview

"after my tenth standard I developed a keen interest in films and wanted to become an actor. I am from Kashmir and we didn't have many opportunities there to pursue acting."

Nimesh Interview

"Currently I can say that theatre is in hibernation. Auditoriums have shut down, artistes and backstage workers are in a bad shape. The pain that we have all gone through will give rise to something better and wonderful."

Sejal Shah - Interview

"My only regret is that Hindi films has not given me my due. I don't know what is it that is needed to make it in Hindi cinema."

Mehul Buch Interview

"SNEHRANG, my debut, remains the turning point in my life and I got appreciated for my work. From then on I got a chance to show my talent. But I can say all my plays are in some way a turning point in my life..."

Sanat Vyas Interview with Jahnavi Pal

"Though I cannot say that I wanted to always be an actor I must add that I acted in my first play when I was in the sixth standard. And I did enjoy this experience."

Dayashankar Pandey Interview

"I was required to wear 1.5 kilo heavy iron cast legs of the horse and a mask weighing 500 gms throughout the play. This was how I started my stint in commercial theatre."

If anyone from the performing arts community needs help in cash or kind, and if anyone can offer it, please mail wecare@mumbaitheatreguide.com

MTG just serves as catalyst, and takes no responsibility for any connections or transactions that follow this appeal.

Schedule

	Theatre Workshops

Register a workshop \| View all workshops