The Marathi drama PALKHI is based on the real-life experiences of researcher D. B. Mokashi and directed by Shambhu Patil. ‘PALKHI’ portrays the spiritual and cultural essence of the annual Wari pilgrimage, where devotees carry the palanquin of Sant Dnyaneshwar and Sant Tukaram to Pandharpur. More than a religious procession, the ‘PALKHI’ embodies collective devotion, social harmony, and the unifying power of the Bhakti tradition. The play is significant for its use of diverse dialects of Marathi, reflecting the voices of people from different regions and social backgrounds. Through its characters, it explores both the conscious and subconscious experiences of caste, class, and gender in Maharashtra, revealing inner struggles alongside communal faith. Warkaris from varied walks of life march together, singing Abhangs and embodying simplicity, humility, and brotherhood. By blending social critique with devotional fervor, PALKHI underscores that true spirituality transcends ritual and hierarchy. Its importance lies in preserving cultural memory while inspiring values of compassion, equality, and shared humanity